Pashupatinath is the holiest Hindu pilgrimage destination in Nepal. There are linga images of Shiva along with statues, shrines, and temples dedicated to other deities in the complex. A temple dedicated to Shiva existed at this site in AD 879. However, the present temple was built by King Bhupatindra Malla in 1697. A gold-plated roof, silver doors, and woodcarvings of the finest quality decorate the pagoda construction. Guheswari Temple, restored in AD 1653, represents the female "force". It is dedicated to Satidevi, Shiva's first wife, who gave up her life in the flames of her father's fire ritual.
Narayan, or Vishnu, is the preserver of creation to Hindus. His temple near Changu village is often described as the most ancient temple in the Kathmandu Valley. A fifth century stone inscription, the oldest to be discovered in Nepal, is located in the temple compound and it tells of the victorious King Mandev. The temple now covers sixteen hundred years of Nepalese art history. The temple, built around the third century, is decorated by some of the best samples of stone, wood, and metal craft in the Valley. In the words of one tourist guide, "When you look upon Changu Narayan, you observe the complete cultural development of the Valley."
Bhaktapur Durbar Square is a conglomeration of pagoda and shikhara-style temples grouped around a fifty-five window palace of brick and wood. The square is one of the most charming architectural showpieces of the Valley as it highlights the ancient arts of Nepal. The golden effigies of kings perched on the top of stone monoliths, the guardian deities looking out from their sanctuaries, the wood carvings in every place-struts, lintels, uprights, tympanums, gateways and windows-all seem to form a well-orchestrated symphony.
This whole square of Patan Durbar Square is a cluster of fine pagoda temples and stone statues; it is at the same time the business hub of the city. At every step one comes across a piece of art or an image of a deity, testifying to the consummate skill of Patan's anonymous artists. The ancient palace of the Malla kings and the stone baths associated with various legends and episodes of history are especially interesting to visitors. The stone temple of Lord Krishna and the Royal Bath (Tushahity) with its intricate stone and bronze carvings are two other masterpieces in the same vicinity.
Bouddhanath is among the largest stupas in South Asia, and it has become the focal point of Tibetan Buddhism in Nepal. The white mound looms thirty-six meters overhead. The stupa is located on the ancient trade route to Tibet, and Tibetan merchants rested and offered prayers here for many centuries. When refugees entered Nepal from Tibet in the 1950s, many of them decided to live around Bouddhanath. They established many gompas, and the "Little Tibet" of Nepal was born. This "Little Tibet" is still the best place in the Valley to observe Tibetan lifestyle. Monks walk about in maroon robes. Tibetans walk with prayer wheels in their hands, and the rituals of prostration are presented to the Buddha as worshippers circumambulate the stupa on their hands and knees, bowing down to their lord.
The history of the Valley, according to the legends, begins with Swayambhu, or the "the self-existent". In times uncharted by history, Boddhisatwa Manjusri came across a beautiful lake during his travel. He saw a lotus that emitted brilliant light at the lake's center, so he cut a gorge in a southern hill and drained the waters to worship the lotus. Men settled on the bed of the lake and called it the Kathmandu Valley. From then on, the hilltop of the self-existent Lord has been a holy place.
It is easy to be overwhelmed by the seemingly uncountable monuments in the Kathmandu Durbar Square. The house of the Living Goddess ( Kumari Ghar ), the ferocious Kal Bhairab, the red monkey god, and hundreds of erotic carvings are a few examples of the sights at the Square! The buildings here are the greatest achievements of the Malla dynasty, and they resulted from the great rivalry between the three palaces of Kathmandu, Patan, and Bhaktapur. The Valley was divided among the children of Yaksya Malla. For visitors today, and for the Nepalese, it was serendipitous that they, and later their offsprings, began an artistic warfare trying to outdo each other in splendid constructions. Kings copied everything their neighbours built in an even grander style. A visitor who wanders around the Square will see a round temple in the pagoda architectural style, the temple of Goddess Taleju (legend has it that She played dice with King Jaya Prakash Malla), and an image of Shiva and Parbati sitting together among the many monuments
We are a Nepali company and travel through this company makes a direct impact in the economy of Nepal. We also try to maximise its contribution to the local economy by hiring local guides and porters for these trips and staying in smaller lodges to spread the income.
The company does not vertically integrate and sub-contracts all support activities like transportation, lodging etc. so that the money gets spread in the economy. It conserves on paper minimising paperwork in the office and by giving out electronic brochures. When required, brochures are printed on both sides of the paper and are in a folder format so that only relevant inserts need be given.
We also have in place a development support system whereby 10% of its profits go to charities like the Joy Foundation Nepal who conduct free cataract eye camps in rural areas of Nepal and Antardristi Nepal, which is developing a fund to start a incest and rape care centre for minors. 10% of the company's profits also goes directly into employee benefits.
In the field, guides, porters and clients are all oriented in responsible travel. A zero litter policy is in place so that it minimises wastage in the region. We also only takes out very small groups with a maximum of twelve participants per group. All trips also focus on culture.